DISASTER AND STRUGGLE — a Timeline of the Vietnam War, the Pinky Show Transcripts Part II

PREVIOUSLY ON THE SKC BLOG:
A lot of the information that people think they know about the Vietnam is wrong. Factually incorrect. There's a lot of misinformation and false assumptions. In order to fully appreciate my upcoming posts about the fall of Laos from an insider's perspective (my fathers) and the day my father made that fateful call to my mother, it is important that you understand the reasons the U.S. fought the Vietnam War. You'll be surprised to find that the seeds of our involvement goes all the way back to WWII.

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IMAGE CREDITs ABOVE: Amnesty International's take on the Infamous Eddie Adams' Pulitzer Prize-winning photo.  If you prefer not to wait for the balance of the posts to be rolled out over the next few days you can watch the entire 40-minute episode of the Pinky Show in Part One of this series of posts here
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THE CLIFF NOTES, edited from transcripts. Presented here are the real reasons as well as the U.S. government presentation of facts to the American public.
 

CHAPTER II:
DESIRE & STRUGGLE, A BASIC TIME LINE OF EVENTS
Vietnam existed for aeons before Americans suddenly started thinking about it in the 1960s as this far-away and nightmarish place. Jungles, rice paddies, war, etc. The Vietnamese are an ancient people, with their own culture and their own identity. Even in ancient times, they had to struggle against foreign domination.

• China occupied Vietnam for approximately a thousand years. The Vietnamese finally expelled the Chinese in the 10th and 11th centuries, but then again in the mid-1800's, Vietnam again fell under foreign domination - this time colonized by France. The French ruled Vietnam through the use of Vietnamese puppet-governments, but the exploitation and oppression that the Vietnamese people suffered was no less severe because of it. French control of Vietnam would last almost a hundred years, until 1940, when Japan, following its own Imperialist dreams, began its own militarized occupation of Vietnam. The Japanese kept both the French and the figurehead Vietnamese emperor in place, while exercising control from behind the scenes - essentially a double-puppet government.

CLICK for IMAGE CREDITS

• In 1941 and continuing throughout the World War II years, the Viet Minh form. They are a group of Vietnamese nationalists, who dream of an independent Vietnam, free from foreign domination. Their first political and military objective is to oust the occupying Japanese and French from their homeland. Their leader, communist revolutionary Ho Chi Minh, is supported by the United States and China because he fights their mutual enemy, the Japanese, from within Vietnam.

• As WWII was winding down, it started to become clear to that Japan was going to lose the war, and many Vietnamese believed that maybe their independence would be close at hand. It didn't happen. In summit meetings held at Yalta and Potsdam, leaders from the United States, Russia, and Britain sat down to decide how they were going to divide up the world after World War II Needless to say, the Vietnamese, or anybody else who 'didn't matter', they weren't invited. The planet was to be divided into spheres of influence - for example, the U.S. and Britain would have influence over Western Europe and the Soviet Union would have Eastern Europe, the United States would get control over North, Central, and South America, the U.S. and Britain would share control the Middle East, and so on.

• Franklin D. Roosevelt wasn't a big fan of European Imperialism and he knew the people of Vietnam had suffered tremendously under French rule. But he was also very sensitive to his WWII allies - the English, the French - and English Prime Minister Winston Churchill, a close friend of Roosevelt, he felt that if Vietnam were to gain its independence, that would be bad example to their own colonies in the British Empire, especially India. In the end the three powers agreed to let France 'keep' Vietnam.

• Back in Vietnam, the Japanese surrender to the Viet Minh at the end of WWII. The Viet Minh declare Vietnam independent, and essentially there is a lot of partying in the streets. The good feelings don't last long. With Japanese Imperialism no longer a threat, the U.S. revokes its backing of the Viet Minh and Vietnamese independence, and instead transfers its support to the French, who immediately try to re-establish Vietnam as a colony.

• It's obvious to the Viet Minh that they've been betrayed and they resist - full-scale war breaks out between the Vietnamese and the French in 1946. Although the war is generally referred to as the French Indochina War, behind the scenes the United States is France's 'silent partner', financing up to 80% of France's war costs. Even with all the money and guns on their side, the French are decisively defeated by the Viet Minh in 1954 after nine years of very bloody fighting. For the second time in ten years, it looked like the Vietnamese were on the verge of total independence.

CLICK for IMAGE CREDITS

• Again this was not the case, no independence yet. You would think that getting trounced on the battlefield means that the loser just picks up and leaves immediately, but in real wars, the situation is never that simple. The French had been in Vietnam for almost one hundred years, and the war amd the effects of colonization itself, had left the country in a disorganized mess. Also the formal terms of France's surrender had to be discussed. The French and the Viet Minh - along with China, the United States, Britain, and the Soviet Union - they all meet in Geneva, Switzerland in 1954 to sort everything out.

This is where it gets really interesting, but also a little bit tricky.

• At the Geneva Accords, the first thing that needed to be decided was how to actually end the fighting and separate the combatants. It's decided that Vietnam would be temporarily divided in half into two "regroupment areas" - the Viet Minh forces would collect north of the 17th parallel, and the French forces south of the 17th. The French would then leave, and after a period of two years, a unified national election would be held in both the North and the South - at which time the Vietnamese people would be formally, and finally, independent and sovereign under a single government of their choice. This was the plan.

• The two sides agreed to these terms for different reasons. Ho Chi Minh felt that that even though Viet Minh could have eventually wiped out the remaining French forces, he also knew that many more people would have had to die unnecessarily. Besides, Viet Minh had strong support among the Vietnamese people - he was sure that they could easily win a national election.

CLICK for IMAGE CREDITS

• The French and Americans, also wanted an end to the fighting - the French were incapable of a military victory and continuing would have been senseless. A two-year window before a national election was attractive to the Americans because they also knew that if an election were to be held right away, that the Viet Minh would easily win. The U.S. didn't want a communist government in Vietnam, a government that would be more politically and economically aligned with China or the Soviet Union rather than the United States. The U.S. saw the two-years as a window of opportunity during which they'd have the chance to pour money and material goods into the southern half of Vietnam to create some semblance of a good economy. This would maybe win over enough of the Vietnamese peasants to elect a government that would be more open to U.S. influence.

• That's exactly what the U.S. did. As the French left Vietnam, the United States seized the moment and immediately embarked on an enormous project of 'nation building'. The result was a new nation - "South Vietnam". This in itself is one of the most commonly misunderstood aspects of the Vietnam War. One of the fundamental 'facts' that Americans 'know' about the Vietnam War era is that there was a North Vietnam (communist) and a South Vietnam (democratic), and that the United States was helping the South Vietnamese repel communist aggression. What most people don't realize is that South Vietnam was essentially invented by the United States as a base for building and maintaining its own interests in Asia. There was nothing in the Geneva Accords that explicitly stated that Vietnam was to become two separate countries.

CLICK for IMAGE CREDITS

• Most people just say 'South Vietnam', 'North Vietnam', like it was always this way. They don't realize that a particular situation was exploited by the United States and that the division was created in an attempt to create a foothold from which they could exert their interests in the region. The Vietnamese people by and large did not want their country split in half.

CLICK for IMAGE CREDITS

• Next, the United States installs a puppet government in the newly created South Vietnam. They choose a devout anti-communist Catholic named Diem - recently emerged from exile in New Jersey - to head their new government in Saigon. The two years go by quickly and as the agreed-upon national elections approach, it becomes clear that Diem and his American backers are still not popular enough to win an election against the more popular Ho Chi Minh. The U.S. encourages Diem to block the 1956 elections, which he does - the elections never take place.

• Diem's regime is characterized by corruption and oppression, and by around 1960, grassroots opposition - with support from the Viet Minh leadership in the north - begin to coalesce in the southern countryside. They are the National Liberation Front, or NLF - Diem and the Americans call them the Viet Cong. This is one of the more common misunderstandings about the Vietnam War. We know that we fought against an enemy called the Viet Cong and just assume that the Viet Cong were from North Vietnam. In actuallity, especially in the earlier phases of the war, most of the Viet Cong were from the South. They received guns and supplies and other kinds of support from the Viet Minh in the north, but the Viet Cong were actually rooted in the Vietnamese peasantry of South Vietnam. This pretty much contradicts what most people have in their imagination. Americans and South Vietnamese in the South, Viet Cong in the North [in North Vietnam], everybody fighting against each other somewhere in the middle in the 'battlefront' area. This is not accurate.

CLICK for IMAGE CREDITS

• The Viet Cong were essentially a social and political revolutionary movement dedicated to ousting the Americans and their puppet government by force. The United States considered them the enemy and that's why almost all of the fighting during the Vietnam war took place within the borders of 'South Vietnam'. Ironically, you had the President of the United States telling the American people that we're there to help the Vietnamese maintain their independence, and at the same time we're over there in their country fighting them as the enemy?

• It's important to point these kinds of things out, because understanding the geography of the war also reveals a certain reality that somehow still manages to escape American consciousness - that essentially, the U.S. military was trying to squash an armed uprising of Vietnamese, who were in turn just trying to get the American occupiers out of their country.

• By 1963, the Viet Cong had gained widespread popular support throughout South Vietnam. The United States was getting annoyed by Diem's inability to control the situation and orchestrates his assassination in November of that year. Immediately after that the U.S. starts exercising much more direct control over South Vietnam. Back in America, President John F. Kennedy is himself assassinated, and Vice President Lyndon B. Johnson assumes the presidency.

 

 

The following year, 1964, represents a crucial turning point. Privately, the Johnson Administration has decided that an all-out war is the only way to defeat the Vietnamese, but American public opinion remains sharply divided. The solution: the Administration orchestrates a 'wartime media-event' - the infamous "Gulf" of Tonkin Affair - in which the U.S. accuses North Vietnam of firing torpedos at an American destroyer with torpedo boats. This never actually happened, but the story is good enough to galvanize the American people and Congress. Infuriated by the (imaginary) act of aggression, Congress overwhelming approves The Gulf of Tonkin Resolution in August, 1964. The resolution gives President Johnson broad powers to use military force at his discretion. And this he does - U.S. warplanes begin bombing North Vietnam almost immediately - the first of several intense bombing campaigns that would continue for almost a decade. By 1969, there are more than half-a-million U.S. troops in Vietnam, all fighting in a country most Americans can barely find on a map, fighting an enemy that no one seems to understand.

John F. Kennedy motorcade, Dallas crop.png

John F. Kennedy motorcade, Dallas, Texas, Nov. 22, 1963 Photo by Victor Hugo King, cc, others CLICK for IMAGE CREDITS

This 'war-time" media-event reminds many current thought leaders of Iraq and the "Weapons of Mass Destruction" campaign. Or the U.S.S. Maine and the Spanish American War. "Those who cannot learn from history are doomed to repeat it."

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CHAPTER III: SEARCHING FOR REASONS  (posting in 2 days)
• Reading all of the the text takes a wee bit of time, something many in our attention-span challenged culture have so little of — so Chapter III of IV Chapters will be posted tomorrow. Or if you just want to know everything right now go back to the first post in this series and watch the video. It requires a 40 min and 23 second commitment. (after the jump scroll down the page to reach the video)

Laotian Chronicles: A Life Story [ an excerpt from the novel I may never write ]

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BIBLIOGRAPHY for the PINKYSHOW EPISODE 060809-1

  1. Cultures in Conflict: The Viet Nam War. Robert E. Vadas. Greenwood Press, Westport, Connecticut/London, 2002.
  2. The Eyewitness History of the Vietnam War, 1961-1975. George Esper and the Associated Press. Villard Books, New York, 1983.
  3. Herbicidal Warfare: The Ranch Hand Project in Vietnam. Paul Frederick Cecil. Praeger Publishers, New York/Westport, Connecticut/London, 1986.
  4. The Illustrated History of the Vietnam War. Brian Beckett. Multimedia Publications (UK), 1985.
  5. The Pentagon Papers: as published by the New York times. Bantam Books, New York, 1971.
  6. A People's History of the United States, 1492 - Present. Howard Zinn. HarperPerennial, New York, 1980, 1995.
  7. A People's History of the Vietnam War. Jonathan Neale. The New Press, New York/London, 2001, 2003.
  8. Secrets: A Memoir of Vietnam and the Pentagon Papers. Daniel Ellsberg. Penguin Putnam, 2002.
  9. The Truth About the Most Dangerous and Destructive Nation. Raymond Hirashima. Vantage Press, 1978.
  10. The Umbrella of U.S. Power: The Universal Declaration of Human Rights and the Contradictions of U.S. Policy. Noam Chomsky. Seven Stories Press, New York, 1999.
  11. Vietnam. Larry Burrows. Alfred A. Knopf, New York, 2002.
  12. Vietnam: A Long History. Nguyen Khac Vien. The Gioi Publishers, Hanoi, 1993.
  13. Vietnam and Other American Fantasies. H. Bruce Franklin. University of Massachusetts Press, Amherst, MA, 2000.
  14. Vietnam: A Visual Encyclopedia. Philip Gutzman. PRC Publishing Ltd., 2002.
  15. The Vietnam Experience: The Aftermath, 1975-1985. Edward Doyle, Terrance Maitland, and the editors of the Boston Publishing Company. Boston Publishing Company, Boston, MA, 1982.
  16. The Vietnam Experience: The Fall of the South. Clark Dougan, David Fulghum, and the editors of the Boston Publishing Company. Boston Publishing Company, Boston, MA, 1982.
  17. The Vietnam Experience: Raising the Stakes. Terrance Maitland, Stephen Weiss, and the editors of the Boston Publishing Company. Boston Publishing Company, Boston, MA, 1982.
  18. Vietnam Front Pages. Hal Drake (editor). Hugh Lauter Levin Associates, New York, 1986.
  19. Vietnam: The Secret War. Kevin M. Generous. Bison Books, New York, 1985.
  20. Vietnam: The War in the Air: A Pictorial History of the U.S. Air Forces in the Vietnam War: Air Force Army, Navy, and Marines. Col. Gene Gurney, USAF (ret.). Crown Publishers, New York, 1985.
  21. The Vietnam War: An Almanac. John S. Bowman (general editor) & Fox Butterfield (introduction). Bison Books, New York, 1985.
 

WHY THE U.S. FOUGHT THE VIETNAM WAR, AS EXPLAINED BY TWO CATS (Not a Typo)

In the course of trying to understand my Dad's role with the CIA during the fall of Vietnam and subsequently the surrounding countries (including Laos) I talked to more than a few relatives who lived through it, read through stacks of my fathers notes and read more than a few books. These books included Robert McNamara's 'In Retrospect: The Tragedy and Lessons of Vietnam' In the preface is a telling quote, it reads:

"We of the Kennedy and Johnson administrations who participated in the decisions on Vietnam acted according to what we thought were the principles and tradition of this nation. We made our decisions in light of those values. Yet we were wrong. We owe it to future generations to explain why." Even with this knowledge I haven't always been able to reconcile all the differing points of view until I stumbled across this gem on the internet. 'The Pinky Show's response to a viewers request that they explain how and why the U.S. fought the Vietnam War.'

In order to fully appreciate my next upcoming posts about the fall of Laos from an insider's perspective (my fathers) and the day my father made that fateful call to my mother, it is important that you understand the reasons the U.S. fought the Vietnam War. You'll be surprised to find that the seeds of our involvement goes all the way back to WWII.

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You can watch the 40-minute episode of the Pinky Show below, see it full screen on YouTube or if your internet connection is unreliable, read my cliff notes of the episode. Regardless, buckle yourself in, it's either a 40min video or a bajillion word summary — chopped into four parts released over four days. Perfect for Sunday, Monday, Tuesday and Wednesday afternoon reading!

CLICK ON THE EXPAND ICON (BOX WITH 4 ARROWS ON THE CORNER) to WATCH THIS FULL SCREEN • DONATE to the PINKYSHOW (tax deductible 501 3c!)CREDITSTRANSCRIPTS

ABOUT THE PINKY SHOW: "The Pinky Show is the original super lo-tech hand-drawn educational TV show. We focus on information & ideas that have been misrepresented, suppressed, ignored, or otherwise excluded from mainstream discussion. Pinky presents and analyzes the material in an informal, easy-to-understand way, with helpful illustrations that she draws herself. Episodes are available on the internet for free at www.PinkyShow.org."
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THE CLIFF NOTES, edited from transcripts. Presented are the real reasons as well as the U.S. government presentation of facts to the American public.

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CHAPTER I: MISINFORMATION

A lot of the information that people think they know about the Vietnam is wrong. Factually incorrect. There's a lot of misinformation and false assumptions.

"As you know, the U.S. for more than a decade has been assisting the government, the people of Vietnam, to maintain their independence."

~ John F. Kennedy


• There is a problem with this statement. It's problematic because the first half of the sentence is misleading, and the second half is simply untrue.

• When President Kennedy refers to, "the government, the people of Vietnam", he fails to mention which government, which obviously is very important. Because during the Vietnam War era, there was more than one government struggling for control - and the one that had the strongest support among the Vietnamese people wasn't the one the United States was supporting.

• When Kennedy said "assisting... the people of Vietnam, to maintain their independence", it sounds like the Vietnamese people were helpless in the face of some foreign aggressor, which the United States was helping them to repel. In actuality, the foreign aggressor was the United States. The word "independence" is problematic. By definition, 'independence' implies 'self-determination, sovereignty'. But the United States had only recently stopped bankrolling the French war against the Vietnamese people, in their attempt to try to keep Vietnam under French colonial rule. So a statement like this only makes sense if you accept the rather ridiculous idea that the Vietnamese needed our help in order to maintain their independence from... themselves.

• This is a simple illustration of why the Vietnam War is so hard to get a grip on. Most Americans think we know at least a little bit about the Vietnam War. Things we've seen in movies and TV, information received from the government, from newspapers, from high school textbooks — the problem is that so much of that stuff is factually incorrect or misleading. Interpretation of facts is one thing, but you can't have understanding built on outright misinformation.

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CHAPTER II: DESIRE & STRUGGLE, A BASIC TIME LINE OF EVENTS (posting in 2 days)
• Reading all of the the text takes a wee bit of time, something many in our attention-span challenged culture have so little of — so Chapter II of IV Chapters will be posted tomorrow. Or if you just want to know everything right now go back and watch the video above. It requires a 40 min and 23 second commitment.

Laotian Chronicles: A Life Story

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BIBLIOGRAPHY for the PINKYSHOW EPISODE 060809-1

  1. Cultures in Conflict: The Viet Nam War. Robert E. Vadas. Greenwood Press, Westport, Connecticut/London, 2002.
  2. The Eyewitness History of the Vietnam War, 1961-1975. George Esper and the Associated Press. Villard Books, New York, 1983.
  3. Herbicidal Warfare: The Ranch Hand Project in Vietnam. Paul Frederick Cecil. Praeger Publishers, New York/Westport, Connecticut/London, 1986.
  4. The Illustrated History of the Vietnam War. Brian Beckett. Multimedia Publications (UK), 1985.
  5. The Pentagon Papers: as published by the New York times. Bantam Books, New York, 1971.
  6. A People's History of the United States, 1492 - Present. Howard Zinn. HarperPerennial, New York, 1980, 1995.
  7. A People's History of the Vietnam War. Jonathan Neale. The New Press, New York/London, 2001, 2003.
  8. Secrets: A Memoir of Vietnam and the Pentagon Papers. Daniel Ellsberg. Penguin Putnam, 2002.
  9. The Truth About the Most Dangerous and Destructive Nation. Raymond Hirashima. Vantage Press, 1978.
  10. The Umbrella of U.S. Power: The Universal Declaration of Human Rights and the Contradictions of U.S. Policy. Noam Chomsky. Seven Stories Press, New York, 1999.
  11. Vietnam. Larry Burrows. Alfred A. Knopf, New York, 2002.
  12. Vietnam: A Long History. Nguyen Khac Vien. The Gioi Publishers, Hanoi, 1993.
  13. Vietnam and Other American Fantasies. H. Bruce Franklin. University of Massachusetts Press, Amherst, MA, 2000.
  14. Vietnam: A Visual Encyclopedia. Philip Gutzman. PRC Publishing Ltd., 2002.
  15. The Vietnam Experience: The Aftermath, 1975-1985. Edward Doyle, Terrance Maitland, and the editors of the Boston Publishing Company. Boston Publishing Company, Boston, MA, 1982.
  16. The Vietnam Experience: The Fall of the South. Clark Dougan, David Fulghum, and the editors of the Boston Publishing Company. Boston Publishing Company, Boston, MA, 1982.
  17. The Vietnam Experience: Raising the Stakes. Terrance Maitland, Stephen Weiss, and the editors of the Boston Publishing Company. Boston Publishing Company, Boston, MA, 1982.
  18. Vietnam Front Pages. Hal Drake (editor). Hugh Lauter Levin Associates, New York, 1986.
  19. Vietnam: The Secret War. Kevin M. Generous. Bison Books, New York, 1985.
  20. Vietnam: The War in the Air: A Pictorial History of the U.S. Air Forces in the Vietnam War: Air Force Army, Navy, and Marines. Col. Gene Gurney, USAF (ret.). Crown Publishers, New York, 1985.
  21. The Vietnam War: An Almanac. John S. Bowman (general editor) & Fox Butterfield (introduction). Bison Books, New York, 1985.
 

A ROMANTIC VIEW of VCU’s CA&D PROGRAM

FACULTY MATTERS WHEN IT COMES TO DESIGN SCHOOLS

One thing I lament about design schools these days is not all of them give students what is promised in the recruitment brochures. Thats why I still consider attending Virginia Commonwealth University (VCU) one of my best life decisions. When I first started, I remember applying to Parsons, the Rhode Island School of Design (RISD) and VCU. I was accepted to them all but, could only afford to attend VCU. (I had to pay my own way and the in-state tuition was the tipping point.) Regardless, VCU was/is one of the top rated public universities with dedicated art and design programs. It was also grueling.

 IMAGE CREDITS: Various Student, Alumni and Faculty work

MONOLITHIC NONRELATIONAL OBJECTS

During our freshman year we didn't design a single logo, not one page layout, not one product package. Instead you went through "Art Foundation" (code for lets torture these kids and see if they really want to become artists) which included multiple six-hour studios twice a week, classes in visual thinking, communication as well as the requisite academic classes. We were given assignments such as, "Next week, bring to class an original, non-relational, monolithic object." When we asked for clarification, none was given and for a full week most of us were dumb-founded. Those of us who thought we had a clue, had our solutions publicly dissected. In the eyes of Richard Carlyon, our instructor, we all failed. We were asked in our second week to try again. Another project involved developing a solution for "visual sound." Again in the eyes of Richard Carlyon, our instructor, we all failed. We would come to realize Art Foundation was less about showing your innate talent than weeding out those who didn't have the chops — a blessing for many who were forced to reevaluate their true desires in a career and a life after college.

IMAGE CREDITS: Various Student, Alumni and Faculty work

DECLARING A MAJOR, THE PORTFOLIO REVIEW

 Your sophomore year you had to declare a major within the school of arts. Some became sculptors, others chose to become painters, illustrators, print-makers, interior designers, fashion illustrators, multi-media artists, animators, photographers or filmmakers. All these majors accepted the sophomores with open arms. However, if you wanted to major in Communication Arts & Design (CA&D), you had endure a second gauntlet — a juried portfolio review at the end of your freshman year. The program attracted hundreds of hopefuls for the 50-60 available slots, essentially 10-15 students for every one opening. It could have been more it could have been less, 20 years later the memory wanes.You dropped off your portfolio in the morning and would return with the rest of the hopefuls in the evening to pick up the evaluation form. If you were successful you found a note welcoming you to the CA&D program. If you didn't make it in, you received a note of consolation and instructions on what to do to improve and what classes to take in the interim (200 level minimum university requirements like english, math, social sciences — while you waited another semester to reapply.) You weren't kicked out of the university, just denied access to the CA&D program.

OF THOSE WHO DID NOT MAKE IT, some were determined they would not fail a second time and took the jury's advice to heart, others were distraught and changed majors. Still others were more more drastic in their expression of disappointment and tried to harm themselves. It was these last group of students whose parents complained and threatened legal action that gave VCU's governing body pause. This allowed them to consider relaxing their requirements and grow their CA&D classes — at least that was the rumor.

THOSE WHO MADE IT THROUGH were subject to a mandatory curriculum; three years of advanced typography, three years of graphic design, visual thinking, art history, design history, B&W as well as color photography (using film) the courses go on and on. You were always exhausted if you took your assignments seriously.

 IMAGE CREDITS: Various Student, Alumni and Faculty work

FACULTY

 In return for your diligence you got to work with faculty like John Demao, Philip B. Meggs, Rob Carter, Ben Day, Richard Carlyon, Akira Ouchi, Lindsey Brinks, Nancy Strube and Robert Meganck. They all came from different backgrounds and themselves had been graduates of RIT, RISD, Parsons, University of Illinois at Champaign-Urbana, Columbia, Cal State, Cambridge, SUNY, VCU, Cooper Union, Ohio State and Carnegie Mellon. Some of these names are recognizable to the general public because they authored many of the books used in design schools around the world, they are part of the fabric of AIGA (past and present), others are recognizable only to their students. Though many of them held multiple degrees, BAs, BFAs, MFAs, MAs they were very approachable. You'd as likely to run into them on campus as you would at the Home Depot. (though it was called Home Center or some other brand in Richmond, before they folded/merged into Lowes)

Regardless of tenure or stature one thing my professors did ( constantly ) was push you to do better. They harangued you if you didn't live up to your promise. Some refused to accept your projects for grading if you worked below your potential. Some required you to redo the project and resubmit. To them it was better to get docked for turning in something late than turning in rubbish. They taught because they loved to teach. How did we know they loved to teach? Every Spring the student newspaper, the Commonwealth Times, would publish the salaries of all VCU professors. State school, public knowledge. It was painfully obvious that most of the faculty were not being paid enough to earn a living by teaching alone. This was a blessing. In order to make ends meet, many would write and publish design books and were practicing designers running their own design studios or agencies. They brought their real world experiences to their classes and we, the students, benefited as a result.

What I remember most about studying at VCU was that of the faculty I gravitated to, not one of them taught me a technique, or how to use a piece of software, or even how to solve a problem. Show the student the way and it becomes a crutch. The faculty I benefited from most taught us how to see the world differently, taught us to think, how to communicate, how to use color, how to illustrate with typography, how to break 3-D space, harness light and to see the beauty in the human form.There would be more than enough time in future years for honing your Adobe CS skills and camping out in the Mac Lab.

To be fair, VCU graduated its fair share of nonstarters. The faculty and the curriculum is only half of the equation, it is up to the student to take advantage of the brain-trust available at the design schools. A degree may get you in the door but, it won't get you the job. Some saw the gauntlet as a way for the professors to get the upper hand, like catholic school nuns. I prefer to think of them as getting us ready for the real world. If they didn't do it, the world would have done it for them. And the world is not always kind. So here's to you Phil Meggs, Akira Ouichi, Robert Meganck, Rob "Don't Stretch Type" Carter (you too Lindsay Brinks) for making the class of '88 what we are today.

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Hyperlinks to:
Rob Carter: Books
Robert Meganck: Website
Nancy Strube: Notes
A History of Communication Arts
The VCU CA&D department

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In Memorium
Phil Meggs: Wiki
Richard Carlyon: Microsite

RICH MAN, POOR MAN, BEGGAR MAN, THIEF

My next three future/alternating posts address reasons for the Vietnam War, the fall of Laos from an insiders point of view and my family’s eventual exodus from our own country. Before you can understand my father's role in all of these events it is important that you understand who my father was and what my father did for a living.

In 2003, my father asked for my help formatting his curriculum-vitae which ended up being equal parts résumé, biography and family tree. This would be the first time I truly understood what his country meant to my father. With so much on his plate it also explained why I did not see him as often as I wanted to. It may also explain why I'm a recovering work-aholic.  

PHOTO ABOVE: Thats me with my Dad in camouflage. Gun control proponents should note that 1. this picture was taken war time. 2. the gun is unloaded 3. its a Daisy BB gun — so no, my Dad did not put me in peril. And no, I have no idea why my father is wearing an ascot with his army uniform.
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After our exodus from Laos, my father was often disappointed by the opportunities presented to him. It takes a lot for a man, who is used to helping a monarchy run a country, to swallow his pride and accept a job in finance. Though he always believed that there was nobility in an honest days work, I believe that my father thought he had disappointed the family by not planning properly — leaving our savings and investments behind. Clearly his family did not agree with this assumption.

When he was passed over for a promotion at Chocolaterie Cantalou, he opted for an early retirement. He seemed to be in a constant state of melancholy. I often gifted him with stick figure drawings of UN forces overthrowing the communist government that occupied Laos after 1975. These gifts of ink and yellow legal paper would bring a slight smile to his face. I stopped drawing them when they no longer evoked the desired effect. Only after years of living in France did he mellow, take to adopting cats and really enjoy living in the present. This did not mean he forgot about his country nor did he ever give up dreams of being able to restore the country of Laos to its former glory.

BIRTH
Born in Vientiane, Laos on September, 1925 to Chao Saythavinh (father) and Mome Temkham (mother), of the house of Southaka-Souvannakoumar of Chaonoï Heng Nakhone-Phoueuane of the former kingdom of Xieng-Khouang. 

EDUCATION
He was educated at the Universities of Cambodia, South Vietnam and France (Paris-Sorbonne*) Under the auspices of the United Nations, he had internships at major law, economics and financial institutions in Switzerland, Holland and France.

PHOTO ABOVE: Dad, 2nd from the left.

CAREER HIGHLIGHTS

Entered into a career in political administrative career in Laos, given the following responsibilities and functions:

  • Private secretary, then Cabinet Chief of his highness, Prince Phetsarath, Tiao Maha-Oupahat, Viceroy of Laos
  • Prime minister of the royal government of Louangpra-Bang to Hosanam Louang.
  • Political Cabinet Director of his highness Prince Souvanna-Phouma, Prime Minister of the first royal government of Laos, newly independent member of the french commonwealth.
  • Director of International Conferences to the Minister of Foreign Affairs of Laos. Participated in the Franco-Laotian Modus-Vivendi, and in the first Franco-Laotian friendship and trade agreement, which outlined the limits of the treaty giving independence to Laos in the french commonwealth.
  • Director of protocol in the royal government.
  • Private secretary to his majesty, King Sisavang Vong.
  • Political Cabinet Chief of his royal highness, heir to the throne of Laos, Prince Sri-Savang Vatthana.
  • Secretary General of the Royal Palace of Laos.
  • Chief Director of Protocol at the Laotian Court.
  • Representative of the kingdom of Laos to the high commission of the French Republic in Indochina, Commander in Chief of the French Armed Forces in the far east.
  • Minister of Foreign Affairs to the royal government of Laos.
  • Laotian Ambassador to Vietnam (Saigon), to the Philippines (Manila), to Cambodia (Phnom-Penh), to Indonesia (Jakarta), to France (Paris), and to Israel (Tel Aviv).
  • President of the National Assembly of Laos.
  • Attache to his majesty, the king of Laos on his state visits and official trips abroad.
  • Represented Laos in the official ceremonies of the countries awaiting independence in Africa and Asia.
  • Participated in the Asian Union Parliamentary Conference, in the Global Inter-Parliamentary Union Conference, and the French Language Parliamentary Conference.
  • Member of the International Conference on Laos in Geneva in 1954 and in 1962.
  • Attended the coronation of Queen Elizabeth II of England.

 POLITICAL & SOCIAL ACTIVITIES

  • Member of parliament, Deputy of the province of Xiengkhovang, elected for four consecutive legislative terms.
  • President and Founder of the Seri-Prachathipatay Party (liberal democracy), majority party within the parliament.
  • Actively participated in Global Inter-Parliamentary Conferences, twice re-elected vice president of the Global Inter-Parliamentary Union and Vice President of the Parliamentary Union of Asia, privileged member of the French Language Parliamentary Group.
  • Invited by the Parliamentary Union of Asia to their annual conference of october 1975, after Cambodia’s annexation and the invasion of South Vietnam, during Laos’ occupation** by the North Vietnamese Communists.
  • Council of the APU unanimously voted upon and agreed to a privileged motion, after six years of service, granting Mr. Chao Sopsaisana Southakakoumar an honorary life-long membership to the Parliamentary Union of Asia, which allowed him to continue participation in the successive annual conferences of the APU (October 8, 1975)
  • Managed several Laotian and French newspapers: “Youth Tribune, Liberated Laos, Echo of Liberty, Sieng-Seri (Voice of Liberty) and the Lao Hakxaxat (guardian of laotian patriotism).
  • High commissioner for Sports and Youth, he continued to handle the Youth movement and the Scouts.
  • President of the Youvasamakhom-Lao, he was elected a senator for the Asian Sector of the International Jaycees.
  • President of the Alliance Française for Laos;
  • President of the Rotary Club of Laos
  • Lawyer of the court, member of the Laotian Bar Association, often handling pro-bono cases

    PHOTO ABOVE: After the fall of Laos, my father stayed active in the World Anti-Communist League (WACL) now known as the WLFD. He is pictured on the left with Dr. Haing S. Ngor, the guest speaker and actor who played journalist Dith Pran in the 1984 film The Killing Fields. On the right he is pictured with John K. Singlaub, the former Commander in Chief of NATO forces and founding member of the CIA.  

    COMMENDATIONS

    • order of the king of laos (exceptional rank, in vermilion)
    • order of the million elephants and white parasol of laos (large-cross)
    • order of sahametrei of the kingdom of cambodia
    • royal order of sowathara of the kingdom of cambodia
    • royal order of the crown of thailand (exceptional rank)
    • national order of civic merit of the kingdom of laos (vermilion class, military rank)
    •  medal of the veterans of laos (commander)
    • Nation medal of public instruction of laos


    Laotian Chronicles: A Life Story [ an excerpt from the novel I may never write ]

    ... ... ...

    *

    1.  Being Confirmed
    2. My father was prone to editorializing, so phrases such as "brutal occupation" have been changed to "occupation"

      WHAT ARCHETYPICAL ASIAN ARE YOU?

      A bit of levity after my more serious posts. In the Asian community, this material has been circulating for years, though no one has stepped forward to claim credit. It is also widely accepted as a bit of Asian self-deprecating humor — so please, no lectures on how its not PC to say Oriental or Asian. I'm pretty sure the Asian community did not come up with the term Asian-American. Also, if you think I've become so assimilated into western culture that I no longer know the difference between parody and ridicule then, I'd say you're missing the point of this post. Relax.
      ... ... ...

      IMAGE CREDIT: Mini Ninjas by IO Interactive - Eidos Interactive (2009)
      SCROLL to the end of the post for the Companion Video and Dim Sum Girl Music Video (viewer reimagined)

      ... ... ...

      Young Asians in America come in many forms. Below are the major 'categories'. Most Asians fit into multiple categories. For example, Rice-boys can also be FOBs and many TABs are Fobulous. The only groups that are never part of another group are the Twinkies and the Asian-Americans. Claim your Fobbiness! When you see your Asian friend, greet them with "Wassup Fob!” And if your Asian friend says something ridiculous, say "Fob please!” Of course, when a non-Asian calls you a FOB, that is grounds for a fight. Regardless, the categories below are to be taken lightheartedly. READ. RECOGNIZE. LAUGH.

       

      TWINKIE

      • Besides your nationality, there is little to distinguish you from caucasians
      • Your significant other is not Asian and never has been
      • You have few Asian friends, if any
      • You are embarrassed at family events because you cannot speak your language
      • Everyone has to switch to English to communicate with you
      • You have no idea that the other types of Asians on this list even exist
      • You think Hello Kitty is dumb and do not know what Sanrio is
      • You are the only Asian on this list that does not know what Bubble Tea is
      • You drive a domestic car and if you drive a Honda, it is factory stock

       

       

      ASIAN-AMERICAN

      •  You claim yourself as Asian, but real Asians think you're whitewashed
      • Non-Asians see you as a foreigner. You don't really fit in anywhere.
      • You have heard of Bubble Tea but have never actually had any
      • You are confused about your cultural identity
      • You express this frustration through spoken word performances at your college
      • You read A. magazine and think it's great
      • You do not know who Edison, Jay Chou, Ayu, or G.O.D. are
      • You are only vaguely aware of the other Asians below

       

       

       (YAP) YOUNG ASIAN PROFESSIONAL

      • You are working in one of these professions:
        1. Medicine/Pharmaceutical
        2. Engineering
        3. Finance
        4. Investment Banking
        5. Accounting
      • Most of your wardrobe was purchased at Banana Republic
      • You go to "mixers" on Thursday nights to meet other Yaps and talk about the Dow
      • You did exactly what your parents wanted you to do
      • And as a result, your life is hella boring
      • Your condo/home is decorated almost exclusively with stuff from Pier 1 or West Elm
      • Your parents always talk to their friends about how much money you make — if they don't, then you're a disappointment

       

       

       FRESH OFF DA BOAT

      • You were not born in America
      • You know who Edison, Jay Chou, Ayu, or G.O.D. are.
      • In fact, you have seen them at Atlantic City or Las Vegas (recently)
      • You speak your native language fluently and so do all your friends
      • You do not have any non-Asian friends
      • Your parents do not speak any English
      • When you speak English, you like to make everything plural
      • You get extremely good grades in school
      • You cannot dance
      • Your fashion sense comes from whatever country you're from
      • You incorporate nothing from American fashion into your wardrobe

       

       

       SUPERFOBS

      • Your command of the English language is minimal and you don't care
      • You like dim sum chicken feet
      • You do not own a single CD, VCD, Video game, or DVD that isn't bootlegged
      • Your only hangout is Chinatown, Koreatown, or some other Asian-prefix town
      • All the lights in your house are fluorescent
      • You dry your clothes outside your window
      • You need a haircut
      • You either smell like cigarettes or food, or both

       

       

      FOBABEE

      • You are an Asian-American or Twinkie who has recently "awakened to your heritage"
      • You have a newly found fetish of Asian girls/boys
      • You have taken the Asian Studies course at college
      • You are trying to learn as much as possible about your culture
      • To make up for your lifetime of trying to be white or black
      • If you are lucky, you will grow to become Fobulous

       

       

      GANSTA FOB (Fobster)

      • You have shot another Asian
      • Your favorite hangout is a pool hall
      • When you talk, you sound like a cross between a Fob and an urban black kid
      • Your hair looks silly, but no one will tell you because you'll shoot them
      • You have a serious gambling problem
      • You are a Rice-boy, but your mods are cheap
      • And the mods are never painted to match the rest of your car
      • No one tells you your rice ride looks cheap because you'll shoot them
      • You want to have a Tab girlfriend, but can only get Hoochie Tabs

       

       

      TAB (Trendy Asian Bitch)

      • You shop at A/X, Bebe and Club Monaco
      • You only wear black and will occasionally wear white to "mix it up"
      • You do not weigh more than 105 lbs
      • You have never paid for dinner at a restaurant in your life
      • Platform heels are your favorite
      • You are a makeup expert, in fact, you appear completely flawless
      • You do not smile in public
      • You are the object of desire of all Asian men and you know it
      • You smoke
      • Your cell phone is completely customized
      • Somewhere in your purse is a Sanrio/Hello Kitty item
      • You only date Asian and will only date a boy with a nice car
      • You are often seen with Rice-boys
      • You never travel alone.
      • You are either in the company of other Tabs or your Rice-boy boyfriend

       

       

      HOOCHIE TAB

      • You are an import car model
      • Your breasts are not real
      • There are naked pictures of you floating around on the internet
      • Clear heels are your favorite
      • Your role models are Tila Nguyen and Kaila Yu
      • Your boyfriend is a Gangsta Fob
      • You cheat on your boyfriend
      • Unlike most Asians, you do not do well in school

       

       

       RICE-BOY

      • You drive an Asian import. Usually a Honda or Acura
      • Your tuner car (known as a Rice-rocket) is unrecognizable from original stock form
      • Your exhaust pipe is big enough for your head to fit in
      • The spoiler on your car looks like it was made by Boeing
      • The interior of your car also looks like it was designed by Boeing
      • You always drive like you are racing someone
      • You're not afraid of dying in a crash
      • But, you're afraid of speed bumps and parking lot on-ramps
      • No one besides yourself and your 105 lbs Tab girlfriend can sit in your car
      • If anyone else sits in your car, the entire bottom of it will touch the ground
      • Though your car is a Honda, it goes faster and is worth more than a Lotus Esprit

       

       

      FOBULOUS

      • You speak perfect English and you are fluent in your native language
      • You have Asian friends as well as non-Asian friends
      • You listen to Asian pop as well as American music
      • You are equally aware of both popular American culture and Asian pop culture
      • You are a good dancer
      • You date Asian by choice, though you could rock the opposite sex of any other race
      • You are a designer and have superior html skills (for that fly Posterous/Xanga page)
      • For you, FOB stands for Fabulous Oriental Being
      • You have lots of Asian pride

      ... ... ...

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      ... ... ...

      1997 DARK DAYS for MACADVOCATES

      There was a time when things were not so happy at 1 Infinite Loop in Cupertino, California. The stock price was down, Apple was taking a beating in the press and WIRED's June 1997 cover story told the Mac faithful to PRAY. Wired published an article titled 101 Ways to Save Apple.

      During this time, before the imac, the G3 and the Think Different* ad campaigns — all MacAdvocates had was the 1997 Apple MacAdvocate CD-ROM. Chock full of "factsheets, product demos, technology demos, system updates and all the tools we'd need to evangelize Macintosh, Newton and all other Apple products." Amid all the rumors it was one weapon we had to keep minds focused and off our beloved Macs — which we'd only part with when they "pried it from our cold dead hands." (apologies to Charlton Heston)
      ... ... ...
      * A single 8 minute compilation of the newer, more aggresive ad campaigns that ran upon the return of Steve Jobs to Apple, including the Think Different spot, can be seen at the end of this post. Also it is not possible to show all the multimedia content from this disc in a single post without it becoming obnoxious but, you can find the bulk of them uploaded to my youtube playlist.

      IMAGE CREDITs: The photo illustration is a collage/phototreatment. The background image is a treatment of an istock photo and the illustration of the Apple logo, in barbed wire, is from the award winning June 1997 cover of Wired Magazine.
      ... ... ...

      I found the disc while I was purging a backlog of old Apple software. Though the disc itself will not auto-run today, because the Macintosh no longer supports the "classic" environment, most of the multimedia is still intact. Join me in a nostalgic review of the disc contents.

      ... ... ...
      INTRO FROM GUY KAWASAKI

      ... ... ...
      MERGER DETAILS

      ... ... ...
      DISC CONTENTS

      ... ... ...
      BILL GATES ENDORSEMENT

      ... ... ...
      "TEACHER" SPOTs

      ... ... ...
      "CELEBRITY" SPOTs

      ... ... ...
      "INTERNET/BUSINESS TESTIMONIALS" SPOTs

      ... ... ...
      "EASE OF USE" SPOTs

      ... ... ...
       THE NEW ADs THAT RAN DURING THE RETURN OF STEVE JOBs TO APPLE

      ... ... ...

      TWO WEEKs of MY MOTHER ON TWITTER v1.O

      My mother came to visit a few weeks ago. This was a bit awkward because we had never been given a chance to build a bond when I was growing up. The last time we spent a significant amount of time with each other, excluding short vacations, I was nine. Regardless she still dotes on me and loves me unconditionally. Of course, she still thinks I'm nine years old. During the visit I documented our time together, on Twitter and Facebook, which turned out to be very humorous — for my friends. If you missed it here's a recap. Keep in mind that at 77 years old, she is at the age where she doesn't do anything she doesn't want to and really doesn't care what anyone thinks about her or her behavior. It must be very liberating.

      ... ... ...

      I'm pretty sure today is Fathers Day. Which explains why my Mom is driving me crazy.
      Sun Jun 20 19:02:43 2010 via TweetDeck
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      Not all men who drink are poets. Some of us drink because we are not poets. (or because our mother is visiting)
      Sun Jun 20 19:18:20 2010 via TweetDeck
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      My mom just dropped by with only 20 minutes notice. Berated me about all the beer (left over from last weeks crab feast) in my fridge, told me that I was getting too fat and then proceeded to ask me what I wanted her to cook when she comes back on Wednesday — with luggage in tow. She will eventually watch me eat. Then insist I have seconds.
      June 20 at 8:47pm via facebook 
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      What does an Asian mother bring to an overnight visit? 1 toiletry bag, 1 rolling suitcase, her meds AND; 2lbs each of pork, beef, turkey, 5lbs of raw papaya (shredded), 8 packages of rice noodles, 3lbs of uncooked rice, bamboo shoots, ginger, coconut milk, fish sauce, sea salt, mushrooms, shrimp and a host of green leafy vegetables.
      June 23 at 11:25pm via facebook
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      Fighting the urge to grab a burger since it will infringe on the god-given right of the visiting mother to cook for her son.
      June 24 at 12:14pm via TweetDeck
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      Did I mention I'm feeling out of place because I can't speak my native language? Such shame.
      June 24 at 3:30pm via TweetDeck
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      Oh look MSG in 5 kilo bags. Need to stock up!
      June 24 at 3:31pm via TweetDeck
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      Did I mention 51 varieties of ramen and 30+ kinds of fish sauce? I stopped counting.
      June 24 at 3:44pm via TweetDeck
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      244,550. The number of journal pages my dad was purported to have filled in his lifetime. I think my Mom needs a new calculator.
      June 24 at 5:18pm via TweetDeck
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      When your spry 72 yr old mom (my bros. and I were a surprise) says she can hack it walking in DC heat — you should drive. (especially when you find out she's really 77)
      June 25 at 1:26pm via TweetDeck
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      At 72 yrs old my Mom has no filter and says what she thinks,"Enhanced." "Boobs that big can't exist on a body that small."
      June 25 at 1:34pm via TweetDeck
      ... ... ...

      2nd to Last MOM post of the day. I give the counter woman that "We're not related" look when she questions her about why it costs $22 to hem a pair of khakis. She's not even inquiring for me, she's asking so the guy in front of me won't get ripped off. That guy gives me the Bill Clinton "I feel your pain look."
      June 25 at 2:59pm via Facebook
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      I get my turn at role reversal. I tell my Mom, "If you don't know what you're looking for close the damn fridge we're not cooling the entire neighborhood."
      June 25 at 3:00pm via TweetDeck
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      Being forced to watch a Thai soap opera. Regardless of language its all the same; secret babies, cheating spouses and lots of bitch slaps.
      June 25 at 8:04pm via TweetDeck
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      Just been told my last name, already 14 letters long, is missing an N at the end. Apparently they had form-field issues in 70s INS apps.
      June 28 at 11:02am via TweetDeck
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      Week 2 of the Mother visit. She returns my iphone telling me its broken. (uh Mom you have to charge the phone overnight).
      June 28 at 1:30pm via TweetDeck
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      Saying "excuse us" to strangers at the grocery store because my mother refuses to move the cart to one side or the other. What is holding her up is if we should buy 2 or 3 cucumbers. Only reason we are buying cucumbers? She thinks the lettuce is too expensive.
      June 28 at 7:17pm via Facebook
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      Showed my mother how Twitter and Facebook work. Now everytime I pick up the iphone she gives me the evil eye.
      June 29 at 6:03pm via TweetDeck
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      Just realized my mothers partial deafness is in whatever ear that is facing me at the time.
      June 29 at 6:11pm via TweetDeck
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      Opened up the dishwasher to find out my loving mother emptied it while I was away. Then I noticed she rearranged tthe cupboards. She said it's just a tweak. She also REFOLDED my laundry. She is so lucky she cooked dinner too.
      June 29 at 7:32pm via Facebook
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      Tried to explain the appeal of the XBOX360 to my 72 year old Mom using Call Of Duty. Her response, "This makes no sense to me. Why do you have kill everyone?"
      June 29 at 8:48pm via Facebook
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      My Mom: "Why are we in washington? I've seen all this before."
      June 30 at 12:22pm via Facebook

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      Graphic Tee shopping for my nephews with Mom. She hates everything I show her. I tell that's exactly why my nephews will love 'em.
      June 30 at 3:48pm via Facebook
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      Mom: Everything in the USA is so expensive says my mom re: the euro/dollar exchange rate. Then we walk by Williams Sonoma and all is forgotten.
      June 30 at 4:34pm via Facebook
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      My mother disapproves of my choice of ride. So impractical. She enjoys herself none the less. Here we're visiting her "other" son.
      June 30 at 6:31pm via Facebook

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      Asian mothers are like Jewish mothers, always trying to introduce you to your future wife.
      July 1 at 6:23pm via TweetDeck
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      I'm convinced that my mother has changed her time-table from "please get married in my lifetime" to "please do so before my flight takes off."
      July 1 at 6:25pm via TweetDeck
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      We've put in excess of 200mi on the car, visited my future wife, where she works and the Chocolate factory, had lunch at RAKU, visited my cousins in North Bethesda (for dinner), caught fireflies, eaten too much, drank too much and now — at almost midnight, my Mom believes the perfect ending to such a long day is to cook up a batch of soup — from scratch. Oy.
      July 1 at 11:55pm via facebook
      ... ... ...

      My Mom asks me to confirm her flight online. Done. She asks me to check her in online. We need to wait until 5pm (24hrs) She asks me to confirm her reservation. We try for almost an hour — no success. Only after wards does she tell me that maybe we can't sign in online because on her SFR instructions it specifically say...s she can only check in: IN PERSON.
      July 2 at 10:21am via facebook
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      People get into fights w/ their loved ones before they leave to make the separation easier to bear. My Mom cooks. Constantly. Since 6 am.
      July 2 at 10:42am via TweetDeck
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      My Mom she believes the longer-than-usual shower she took this morning caused the water main break.
      July 2 at 3:24pm via TweetDeck
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      My mom asks me if I know the name of the young guy who plays basketball for that team who got a really good salary signed right out of college. My response: uh, no. Mom could you be more specific? My Mom's response: "He's Black."
      July 2 at 3:53pm via facebook
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      Last night my mother ate all the cookies in my pantry that were about to "expire."
      July 2 at 4:15pm via TweetDeck
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      Just found out my Mom is 77 not 72. She said she never corrected me all these years because she liked how it sounded. Now I apparently owe her five belated birthday presents.
      July 2 at 5:16pm via TweetDeck
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      Guess who just relieved the restaurant of all of it's sugar packets, napkins and any condiments not nailed down? Hint: she gave birth to me. - Going to need to leave a very big tip.
      July 2 at 8:22pm via Facebook
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      1/3 United employee assumes my quinlingual mother is an idiot since her English has a lilt. Shoos her away from checkin kiosk. #unitedFail
      July 3 at 2:50pm via TweetDeck
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      2/3 Undaunted my 77yr old mother waits in the checking line - desk attendant tells her next time she should use the kiosk #unitedFail
      July 3 at 2:52pm via TweetDeck
      ... ... ...

      3/3 Learning of previous slight, new attendant apologizes, offers 2 assist in a choice of language. My mom continues conversation in FRENCH.
      July 3 at 2:57pm via TweetDeck

      ... ... ...
      Prior to boarding her return flight to France, my mother says good by to her/my Facebook friends — in French.

      ... ... ...

       

      YOU SPEAK ENGLISH VERY WELL for AN ILLEGAL ALIEN

      "You speak english very well for an illegal alien." That is not exactly what people said when I first emigrated to the United States but, thats what I heard. First of all I wasn't an illegal alien. I had emigrated to the US through the generosity of catholic priests who knew my father and offered to sponsor me. That's how I ended up with an open ended visa, a green card and eventually US citizenship.

      It was surprising to me that in an internationally sensitive city like Washington, D.C. circa 1975-76 people were still amazed that a young laotian boy could speak english without an accent. Then again, they didn't know my assimilation to the American way of life and my ability to speak english started at the American School of Vientiane, Laos.
      ... ... ...
      IMAGE CREDITS: The image treatment is based on a photo illustration from blink.net.

      ... ... ...

      "I used you kill fuckers like you in Vietnam,"muttered my neighbor at the urinal. I'm not sure the affect he expected his words to have on me — since it was not possible for me to stop mid-stream and engage in fisticuffs. I had already started to tune out his diatribe. I don't think he realized that during the Vietnam War I was in elementary school. I don't think he knew that my father was a hardline anti-communist and essentially military commander of the CIA controlled Laotian Hmong army. This part is debatable since many thought General Vang Pao was the defacto leader. Our family had supported American forces, not opposed them. While washing my hands in the sink, I looked over at him and said, "I'm sorry you still bear scars from the conflict." I have no idea if what I said was true. I'm not even sure why I said it. I don't know if it was my perfect english or what I said but he shut up — never breaking eye contact with me all the while. I exited the restroom and joined my fraternity brothers who were already digging into their dinner. (during my college years, 1985, Regency Mall, Richmond, VA)

      The American School in Vientiane (ASV), Laos was an oasis of calm far away from the Vietnam war. The school had a eclectic mix of military brats, expats and the children of distinguished locals. Except for the fact that ASV encompassed kindergarten and grades one through twelve, it could have been mistaken for any typical American school.

      We had athletic fields and corresponding athletic teams (except for football), cheerleaders, swimming pools, extra-curricular activities, the requisite clubs, dances and senior trips. In other words, your typical American school. If you took a page out of the Cobra's Tale yearbook (our mascot was a cobra) and compared it to any Southern California high school yearbook from the 1970s you'd be hard pressed to tell the difference between the two. I experienced none of the aforementioned because during this time I was in grade school. Though all the grades existed on a single campus, it was rare that the kids in high school ever set foot into the elementary courtyards and vice-versa.

      I ended up at ASV because my Dad had tricked me into doing so. As my Dad tells the story, he had gotten a very tersely worded warning from the French Academy I was attending. The gist of the note said if I could not stay awake in class during the afternoons I would flunk out and readmission would be out of the question. It didn't help that they considered me a blithering idiot because I could never pay attention.

      My Dad, concerned that his son would end up banned from formal education, asked me what the problem was. Specifically he said, "What's your problem?" I replied, "Dad its too hot." if you've ever lived or visited Laos you know it get to upwards of 35 degrees celsius (95 Fahrenheit) with 75% humidity during the school year. Its a tropical heat so you're always sweating. The French schools were unbearable and they had no air-conditioning. I was used to putting my head down on my desk and passing out. Thats how the teachers described it. I called it taking a nap.

      Truth be told, when I was young, I hated school. Years later when I was tested in the US they surmised it was because I was bored — due to the fact that I was a hyperactive child who read three grade levels higher than his peers. I was considered hyperactive because the term Attention Deficit Disorder (ADD) had yet to be coined or recognized as a condition. It didn't help that I was first introduced to processed sugar and foods at ASV. But, I digress.

      My father gathered his wits and smiled broadly, "Are you telling me that if I put you in a school that has air-conditioning you'll not only stay awake but, you'll also succeed and excel in your studies?" I looked him straight in the eyes and said, "Yes." My father had called my bluff, just one week later I was waiting on the front curb in front of our house waiting to be picked up for my first day at the American School in Vientiane.

      Once at ASV I absorbed the language easily. I already spoke english but, it was formal and stilted. I didn't have the right cadence, emphasized the wrong syllables and often used the wrong words or the right words in the wrong context. English sentence structure is different from french and especially Lao. I also had no grasp of idioms, slang or American pop-culture. All that was about to change.

      Laotian Chronicles: A Life Story [ an excerpt from the novel I may never write ]

      ... ... ...

      My intro to processed foods, experiences at ASV and negotiating the school bus system: fodder for future posts!

      SAMURAI. KNIGHTs. + COWBOYs.

      Samurai, Knights and Cowboys have always been a Hollywood staple primarily because they are archetypes. For me they were role models, even if they were absentee role models — like my Dad. I was here in the States studying english at a young age and the cold, dark Atlantic served as a chasm between father and son. My parents always provided for me and plane tickets were sent often, they just never made it into my possession. The reason why and how this affected me and my older brother is fodder for a future post. 
      ... ... ...

      Having to fend for myself at an early age, without a strong male role model on this side of the Atlantic, I naturally found one elsewhere. I wasn't attracted to politicians, movie stars or professional athletes. I was instead attracted to archetypes, to heroes of yesteryear. The heroes who fought for right, for those too weak to defend themselves and did so even if it meant the loss of personal life. Coincidentally, figures who most closely adhered to this moral code happened to be Samurai. Knights.+ Cowboys. (I'm sorry Mrs. Wright - my 8th grade english teacher- They allow us to punctuate single words. when. you. work. in. advertising/design.)

      I did know that these rules of conduct existed outside of faith, organized religion and the norm of societies that did not look after their fellow man. I read voraciously about the archetypes taking in all the details of bushido, chivalry and the exploits of the old west.

      To say I embodied the moral code of all these archetypes early in my life would be laughable. It wasn't until Page, a long-time college friend, mentioned that I had slipped into a vortex of self-centered interest that it registered in my conscience. In other-words, I had turned into an asshole. In many ways she was right, in my twenties I was not the best friend I could be and most of my focus centered around my career. To be truthful, the turn around did not start on that exact day but, the seeds were planted. Eventually, when I can sit down with Page and have a serious conversation, I'll be sure to remind her and say thank-you for the heads-up. Until then, I work at it everyday.

      Though the "codes of the warrior" that governed the archetypes were disparate and often not uniform they did share these basic common elements; mercy, courage and loyalty.

      THE ARCHETYPES

      BUSHIDO (Samurai)

      Bushidō (武士道?), meaning "Way of the Warrior", is a name in common usage since the late 19th century which is used to describe a uniquely Japanese code of conduct adhered to by samurai since time immemorial, and loosely analogous to Western concepts of chivalry. This code is said to have emphasized virtues such as loyalty, honor, obedience, duty, filial piety, and self-sacrifice. Although Chinese-derived Confucian concepts such as loyalty and filial piety were certainly extolled in Japanese texts from the medieval period, the actual term bushidō is extremely rare in ancient texts, and does not even appear in famous texts supposedly describing this code, such as the Hagakure of Yamamoto Tsunetomo. Moreover, although at various points in Japanese history certain feudal lords promulgated prescriptive "House Codes" to guide the actions of their retainers, there never existed a single, unified "samurai code" which all Japanese warriors adhered to or were even aware of.
      ~wikipedia as of 07.13.2010

      the seven virtues of Bushido: Rectitude (義, gi ) • Courage (勇, yu ) • Benevolence (仁, jin ) • Respect (礼, rei ) • Honesty (誠 or 真, makoto or shin ) • Honor (誉, meiyo ) • Loyalty (忠, chugi ) related virtues: Filial piety (孝, kō ) • Wisdom (智, chi) • Care for the aged (悌, tei)

      Help viewing japanese character sets


      CHIVALRY
      (Knights)

      “Chivalry is a term related to the medieval institution of knighthood. It is usually associated with ideals of knightly virtues, honor and courtly love. The word is derived from the French word "chevalerie", itself derived from "chevalier", which means knight, derived from "cheval", horse (indicating one who rides a horse). Today, the terms chivalry and chivalrous are often used to describe courteous behavior, especially that of men towards women. Between the 11th century and 16th centuries Medieval writers often used the word chivalry, but its definition was never consistent between authors, and its meaning would change on a basis that determines where you are, and even over time. Further, its modern meanings are different from its medieval meanings. Thus, the exact meaning of chivalry changes depending on the writer, the time period, and the region, so a comprehensive definition of the term is elusive."
      ~wikipedia as of 07.13.2010 


      CODE of the WEST
      (Cowboys)

      "First chronicled by the famous western writer, Zane Grey, in his 1934 novel The Code of the West, no "written" code ever actually existed. However, the hardy pioneers who lived in the west were bound by these unwritten rules that centered on hospitality, fair play, loyalty, and respect for the land. Ramon Adams, a Western historian, explained it best in his 1969 book, The Cowman and His Code of Ethics, saying, in part: "Back in the days when the cowman with his herds made a new frontier, there was no law on the range. Lack of written law made it necessary for him to frame some of his own, thus developing a rule of behavior which became known as the "Code of the West." These homespun laws, being merely a gentleman’s agreement to certain rules of conduct for survival, were never written into statutes, but were respected everywhere on the range."
      ~the full post @ Legends of America, Code of the West

       

      Laotian Chronicles: A Life Story [ an excerpt from the novel I may never write ]


      OPINION: MAUREEN DOWD's A GIRL’s GUIDE to SAUDIA ARABIA

      I've always been an avid reader, even at an early age. I devoured anything I could get my hands on written in english — a big deal for a child for whom english was not a native tongue. I even read content in which I had no interest or was too old for my age group. (I consistently read three levels higher than my grade level) To this day I have more books than I have bookshelves.

      I remember walking the streets of Paris with my father (after we emigrated from Laos) and watching in awe as he bargained with a book store clerk. He was trying to get the clerk to sell him a copy of a Tintin graphic novel divorced from it's english language learning tape. Why pay for the entire set when his boy could already read, write and speak english he logically surmised. A great author's words married with my boundless imagination is what eventually landed me in the communication arts & design program at VCU.

      If you haven't noticed, I write and think in non sequiturs — though if you stick with me long enough it will all make sense. Which brings me to Maureen Dowd's article A Girls Guide to Saudi Arabia in the August 2010 issue of Vanity Fair. I may not always agree with what she writes but, that doesn't marginalize my appreciation of her work, which is often distinguished by an acerbic, often polemical writing style. I lifted that last line in honor of her 2009 controversy. 

       ... ... ...
      In an obvious attempt to get you off your butt and to the newsstand, Vanity Fair has not made this article available online. They have mouths to feed and mortgages to pay too, you know. If you do manage to track down a copy of the August 2010 issue, the one with Angelina Jolie on the cover, I promise you it is a very good read.  

      Photo treatments are based on photographs by Ashley Parker.
      ... ... ...

      Back to the article in question. It is long-form narrative. Old school. Well worth reading even by the ADD-addled brains of the internet generation — of which I am a member. The article follows Dowd's travels in a new Saudi Arabia, one just now reopening it's gates to the prospect of tourism.

      In Dowd's own words,

      "Saudi Arabia! Just the vacation spot for a headstrong, adventure-loving, cocktail-imbibing, fashion-conscious chick. Long averse to non-Muslim curiosity seekers, the Kingdom is now flirting with tourism, though drinking is forbidden and women can't drive — or do much of anything — without a man. Armed with moxie and a Burquini, MAUREEN DOWD confronts the limits of Saudi Arabian hospitality, as well as various male enforcers, learning that, as always, it matters whom you know."

      Still not enough to pique your curiosity? Then you should know that the article itself has already garnered a lot of discussion, albeit much in the form of criticism, on the VF daily blog. Vanity Fair's own slideshow of Dowd's "vacation" snapshots further fuel the fire.

      Photo treatments are based on photographs by Ashley Parker.

      My point here is not about the content of the article, but rather the way it is written. Journalism, in any form, is story-telling. The ultimate intention of any story-teller is to get a reaction from the audience. When you are able to do so and the conversation extends beyond the life of the story, then you've made an impact. I leave you with another short excerpt from the Vanity Fair article.

      "Today Saudi Arabia is trying to take a few more steps ahead — starting with a coed university, letting women sell lingerie to women, even toning down public beheadings. If you're living on Saudi time, akin to a snail on Ambien, the popular 86-year-old King Abdullah is making bold advances. To the rest of the world, the changes are almost imperceptible."

      With writing like this how could your mind not fill up with dramatic images? I'm storyboarding my own personal movie right now. I'm sorry I can't invite you to the screening — it's playing in my head.

      ... ... ...

      Photograph by Gasper Tringale

      OTHER MAUREEN DOWD ITEMS of INTEREST:

      ... ... ...